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My work is not traditionally public nor is it exclusively private; it grows from no-man’s land and bridges the gap between forgotten corners of our landscape and everyday life of everyday people. I often combine postindustrial forms with primitive or pre-industrial aesthetics; this fusion comments on the history and future of human progress.

If in fact our future can be seen by critically viewing History, then where are we headed? Optimistically, we are sure to see some of our past in the future. Pessimistically, we are sure to see more of our past in the future. Inescapably, we will continue to have large effects on each other and our environment, hopefully with awareness of where we have been and conscious of where we are.